When was the last time a Foo Fighters album was really all that good? At first they were the little band that could, with the drummer from Nirvana trying to do his own thing after Kurt Cobain checked out permanently. That debut was culled from 4-track recordings that the drummer in question, Dave Grohl, recorded on his own while passing the time as being the stick man in the world’s biggest rock band. But when it all disappeared in April of ’94 Grohl decided to see what he could do with his own band under the name Foo Fighters. Turns out, he could do quite a lot.
Foo Fighters ruled the second half of the 90s and well into the 2000s with guitar-heavy rock and roll, combining punk rock swagger, 70s arena rock might, and a real pop sensibility. That self-titled, The Colour and the Shape, and There Is Nothing Left To Lose were all pretty much bulletproof. Big hooks, bigger screams, and just the right amount of radio-friendly vibes to put the Foos and Grohl at the top of the heap.
But from that moment each successive record(with the exception of 2002s One By One) seemed to be more of the same, but without the raw rock appeal of what came before. Add to that the Dave Grohl oversaturation factor and they went from indie rock darlings to the guest that wouldn’t leave. Movies, docs, special guest appearances, and just a sense that you couldn’t turn in any direction without your buddy Dave being there to remind you he’s your favorite rocker/cool uncle.
With the sudden death of Taylor Hawkins in 2022 the future of Foo Fighters seemed up in the air. Add to that Dave Grohl’s surprise “other” family and the Fighters’ name was pretty much mud. I guess to show us that Grohl and the Foos are still in the game we have Are Playing Where??? Vol. I, a surprise live EP with 6 songs culled from the band’s latest surprise live shows this past year. It consists of 5 songs from the debut record, as well as “White Limo” from Wasting Light. It’s a loud and aggressive set of Foo Fighters at their heaviest. It’s a fun listen, but I’m not sure it changes much.

You hit play on the Foos latest live EP and you’re greeted with guitar squall of “Alone + Easy Target”, a Hüsker Dü-worshipping mid-90s rocker with the band hitting every note as if their life depends on it. “Exhausted” sounds great as well, reclaiming some of the rock and roll cred the band lost with snore fests like In Your Honor, Sonic Highways, and Concrete and Gold. And “Weenie Beanie” is all bratty screeches and rock and roll that borders on heavy metal.
The rest? “White Limo” is still fun and overindulgent, while they close it out with the great b-side “Winnebago”. The ride ends in just under 25 minutes. It’s a solid set of Grohl and Foo Fighters at their loudest and best. A reminder that despite mediocre records and tarnished reputations, the Foos can still rock.
Discover more from Complex Distractions
Subscribe to get the latest posts sent to your email.
My LOVE of FF peaked in 1997. It came back with Wasting Light but I think we’re done now. I can’t really relate anymore.
LikeLiked by 2 people
They were never a band I loved, but I enjoyed up to the early 2000s. I saw them on the Colour and the Shape tour in 1998 and they were great live. Of course that band has changed significantly since 1998. I don’t hear much variation in their albums anymore. Haven’t in probably 20 years.
LikeLiked by 1 person
“They went from indie rock darlings to the guest that wouldn’t leave” perfectly sums up my view on the Foos.
Saw them live for the first time back in 2012, then again in 2017 with Queens — and the endless guitar solos made me leave early and beat the traffic.
They’re that band we’ll always cherish for what they once were, and in return, we just have to put up with them sticking around.
Great article, cheers from Brazil!
LikeLiked by 2 people
That last paragraph is perfect. Cheers from the Midwest!
LikeLiked by 1 person
Aww Man. I’m listening to it now and it’s really good.
But I have to disagree with your assessment of their discography as a band. I thought the early albums were full of filler. Except for the debut and The Color And The Shape. Then in their Cardboard Sleeve Nene Desk era they have made at least three excellent studio albums.
Wasting Light was a proper holding itself together rather beautifully album. With Bob Mould on it. And my favourite Foos song Back And Fourth is on there. They followed it with a dull but ambitious Sonic Highways. Then the delayed lockdown album Medicine At Midnight was a back to back belter. I’d cal it a lean funky rocker of a record were it not for weird shit like Chasing Birds and the hypnotic Shame Shame. As for the last studio album But Here We Are? I consider it a fucking masterpiece of restraint and grief made song. Maybe it because I lost people at the same time FF lost Taylor. But fucking hell that album is good.
Admittedly the last single Today’s Song does nothing at all for me. So maybe… I dunno
LikeLiked by 1 person
I did like But Here We Are. It was a damn good record and kept me interested throughout.
I feel I’m probably in the minority when it comes to the Foos. I’ve liked a couple songs on each album, but I just seemed to have a problem discerning a lot of the songs from one another. I was incredibly moved by the Taylor tribute as well.
I might do some Foo revisiting this week.
LikeLiked by 1 person
Try Wasting Light again. I really rate it.
LikeLiked by 1 person