I thought I’d seen everything. From UFOs landing in Midwest cornfields and their extraterrestrial pilots revealing to me the meaning of existence thru an old Lite Brite, to talking coyotes that revealed to me the meaning of existence thru an old Milton Bradley Simon game, to a monkey that could make Toaster Strudels for a man born without arms, legs, and a mouth to eat the Toaster Strudels with. It seemed that nothing in this universe could surprise me at this point in the game. How could it, with me already realizing that we’re all here as merely a collective sigh baking on this rock and waiting for the Planctorian Death Lords from Sigma Nigh-8 to come and turn us all into slave monkeys, our only purpose of existence to toast their damn Toaster Strudels because they have no arms or legs???
Turns out life just surprised me(a little, anyways.)
A very small record label called Polytechnic Youth came into my world. Polytechnic Youth is located somewhere in the far reaches of the universe where they make these magical 7″ lathe cuts. Super small batches of different artists each time. Side A and Side B, boom, they are gifted to the world and then they’re off to the next. Super limited, super rare, but super incredible art. Here’s the simple description on their website:
library sounds | electronic experiments in kosmische | primitive electronics as a soundtrack to physical education | a micro label for vinyl heads
The reason I came across this label is Timothy Fife. Timothy Fife of synth duo Victims and of his own solo work, in-particular this year’s excellent Black Carbon. Fife is the real deal when it comes to electronic composition. He’s deep into Giallo scores, Italian directors, and horror cinema in general. His work that I’m familiar with is of the heady and heavy synth variety. Fife is heavy into the Berlin-School Movement, Komische, Krautrock, and sites Klaus Schulze as a big influence. You can hear it in his work, for sure. But he adds elements of ambient music, darker incidental work, and this East Coast sensibility that can only come from staring out into the endless Atlantic and hearing those icy waves crash against the shore. It’s quite beautiful.
A few weeks ago Timothy Fife released a 7″ lathe cut with Polytechnic Youth. Side A is “Simulacra” with the B side being “All Tomorrow’s Remembered”. These are exquisite synth compositions. Bubbly, dream-like, and take you to another place when you’re in the middle of them.
“Simulacra” pulls you in with arpeggiated notes and whispers of new age ambient in the background. It’s Komische of the highest order. “All Tomorrows Remembered” puts me in mind of Edgar Froese, Rudiger Lorenz, and touches of JD Emmanuel, but all rebuilt and redefined by Fife’s style.
The unique thing about this release is that it plays from the inside out. You drop the needle right at the runout point of the 7″ and it rides those grooves backwards. I was skeptical at first. “How will this work?” I said. “Do I need to light candles and repeat dark incantations?” I said. “I think your grilled cheese is burning” my wife said. It was. Anyways, I followed the instructions included with the 45 and sure enough the needle grabbed the groove. And also, as stated in the instructions, I turned the volume UP!
As I said, these releases are super limited and are gone before you know it. Timothy Fife’s sold out in record time. I think you can locate one or two on Discogs for like $1,000,000 or something. If you’ve got the cash I’d go for it. It’s worth it, man. Brilliant tracks, artwork, and it plays from the inside out.
Who needs the meaning of life when you’ve got records like this? If you listen hard enough, you can find that meaning you’re looking for in the grooves.