I’m not really sure how I revisit an album that came out less than a year ago, especially one that I loved right off the bat. But really, this is a series not of albums I’m going back to and seeing if they’re a better fit after some time has passed. No, these posts are for the benefit of you, dear reader. Yes, I’m writing these in the hopes of helping guide you on your journey to Causa Sui enlightenment. A psychedelic road map that will take you on an existential journey to find some serious space rock, brothers and sisters. I want to help you blow your mind in the best way possible. Causa Sui wants to blow your mind, and I’m here to help you find the right record to do that. Open that head of yours and let some light in.
So Summer Sessions seemed too daunting of a task you say? Information overload you say? And Pewt’r Sessions 3 was just a bit too much of a mind f*ck? Too heady and dark for your bright, sunny days? Well, that’s okay. You see, I’ve got something here that even the lightest and cheeriest of space travelers can get into. Return To Sky, Causa Sui’s newest album(released spring of 2016) feels like a wave of both 90s alternative rock and breezy early 70s pastoral Big Muff noise. It feels like what I’d call Causa Sui’s gateway album. It’s the one that pulls you into the Causa Sui universe and from there you begin exploring. It’s 5 songs -tightly wound and beautifully chaotic- headphone-ready and catchy as hell.
“Dust Meridian” blows out of the speakers like “Spoonman” on mescaline. It’s a heavy groove joyride that pulls in tribal beats, Sabbath riffs, and trippy Doors-like interludes thanks to Rasmus Rasmussen’s keys work. It’s a microcosm of classic and modern sounds coming together and working things out in the eye of the musical storm.
“The Source” is a mainline of chugging boogie and stoner rock abandon. Jonas Munk about blows this one through the roof with a megaton rock riff that would make Matt Pike cower in fear. There’s a great mix of mystical vibes and sludge-y doom in “The Source”. Causa Sui sort of throw all their strengths into this one and just go for it.
“Mondo Buzzo” is the sound of the natives getting restless. War drums are beaten seductively and with purpose. The slinky guitar riff is the warning shot across the bow, and the bass and keys press on like good soldiers. The song explodes into big riffs and Kyuss-like purpose.
Desert rock in the heart of Copenhagen, folks.
If you didn’t guess, Return To Sky is a rock and roll banshee. Causa Sui went into the studio to record an in-the-raw rock monster of an album. Little overdubs and big riffs. Where previous records sprinkled in dreamy atmospheres and psychedelic shadings, Return To Sky turned the amps up to 11 and laid down some serious grooves. There’s no pastoral wanderings or dreamy soundscapes. With this album it was all about the visceral push.
“Dawn Passage” does have a bit of a “break in the clouds” feel with phaser-effected guitars and a ride-driven drum part, but it doesn’t go all navel-gazing. Underneath the breezy disposition there’s still a kinetic flow. Munk, Kahr, Rasmussen, and Skott work together musically on a gut-level here. It’s an instinctual thing between these four.
“Return To Sky” sounds like some fuzz box version of the Midnight Cowboy theme. It’s got a bit of an open horizon vibe. It seems to capture this technicolor space where sky and earth meet, just before they explode into swaths of red, pink, and orange hues. Fear not, kiddos, this day doesn’t end before some serious guitar power pummels us into submission.
If you’re looking for an easy way into the Causa Sui world, this is it. Return To Sky puts you into the studio with the band. You can feel the electricity as the music is being pulled from some other plane and arrives in our world through buzzing amps and the joy of creativity. Raw power and seriously heavy melodies grab you and pull you in.
Nuff said. Put it in yer ears.