The Heartwood Institute Returns With ‘Witchcraft Murders’; Listen To “Who Put Bella Down The Wych Elm?”

There were a series of brutal murders that took place in the English countryside back in the early 1940s. A man impaled on his own pitchfork, the remains of a woman found stuffed inside a tree, and clues that led to the possibility these murders were witchcraft-related. What became known as The Lower Quinton & […]

Read More The Heartwood Institute Returns With ‘Witchcraft Murders’; Listen To “Who Put Bella Down The Wych Elm?”

Devouring The Worldly Coil : Burial Grid Talks New Album, Concepts, and Working Through Grief

Adam Michael Kozak, aka Burial Grid, makes music that goes head first into loss and grief. Electronic music that veers to the melancholy lean of Giallo and into industrial-tinged metal reminiscent of the Melvins, NIN, and St. Vitus. Kozak is honest in his work, dealing in the realities of our existence in our mortal coil. […]

Read More Devouring The Worldly Coil : Burial Grid Talks New Album, Concepts, and Working Through Grief

Darkside Return With “Liberty Bell”; New Album ‘Spiral’ Drops Spring 2021

Featured photo by Jed DeMoss One of my favorite albums of 2013 was from the Nicolas Jaar/Dave Harrington project Darkside. That album, Psychic, was a mixture of slow motion electronics and Dave Gilmour-like guitar licks. A cross between Pink Floyd, Alan Parsons, and Four Tet all mixed into this unique, slow burn of a record. […]

Read More Darkside Return With “Liberty Bell”; New Album ‘Spiral’ Drops Spring 2021

Enter The Void : Soundtracking The Void and Music For The End Of The World

Thomas and Ashleigh Ragsdale began their journey as music label owners at the end of 2018. Soundtracking The Void’s first release was Thomas Ragsdale’s Honley Civic Archives Volume 1. From there the two released music together as Ffion, Thomas released a series of solo LPs and then the label branched out to artists as diverse […]

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Monochrome Echo : Moonkeeper

Listening to Monochrome Echo’s new album Moonkeeper I’m reminded of simpler times. Times when dystopian science fiction films didn’t have to have dread-inducing scores filled with ominous synth and hellscape ambient tones. A time when touches of light and elements of electro pop could cleanse the mental palate after someone is twisted into a pretzel […]

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