“in the shadow of memory/spirit”: Neil Lord talks Future Museum’s New Album ‘Dorsal Fin’

Future Museums is the musical project of producer/musician/songwriter Neil Lord. Lord locks into both the Komische/Berlin School world of artists like Cluster, Ash Ra Tempel, and Klaus Schulze, as well as ambient/New Age vibes of Windham Hill and Private Press releases of the 70s/80s. There’s always an ethereal and naturalistic approach to his work. Nothing […]

Ode To The Witch : A Eulogy For Burning Witches Records

I think it was summer of 2017 when I first heard of Burning Witches Records. It was somehow discovering Maine’s beautiful album V and that BWR was where I could find it on vinyl, which I immediately purchased. At that point BWR was on my radar. I deep dived into Burning Tapes, Deathcount in Silicon […]

Depeche Mode : Memento Mori

Depeche Mode, after 40 years as a band, have earned the title of Elder Statesmen of Synth Pop. The UK alternative rock band has built a musical dynasty, starting in 1981 with their debut album Speak & Spell. With each successive album the band honed their sound and their style to a fine doomed romantic […]

Sermons By The Devil : Pro-Life

I’ve always been a bit perplexed when it came to the pro-life movement. Growing up in the Midwest(aka, the Corn Belt) I’ve had a firsthand view of its insidious sincerity. Sure, saving the unborn children; making human walls of screaming, shrieking Christians in front of Planned Parenthoods, medical clinics, and OBGYNs calling cowering, scared women […]

Yves Tumor : Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds)

Yves Tumor was one of those names I’d heard in passing over the last few years, but truth be told never made it to my ears. I thought maybe it was the name of a rapper, or some strange avante garde pop artist like Arca. Turns out I was wrong and sort of in the […]

Jonathan Sharp : Niavka

Jonathan Sharp has been busy the last several years putting out next level, Gothic-tinged records as The Heartwood Institute. Hazy, dreamy, and eliciting sonic tales of witchcraft(The Witchcraft Murders) and dystopian worlds(check out the collaborative Concrete Island with HAWKSMOOR), Jonathan Sharp seems to never not be readying a new electronic delight for our ears. NIAVKA […]

“a beautiful conclusion” : Catching Up With Composer Timothy Fife

Back in 2016 I’d come across this 2-song 10 inch from a band called Victims. The EP was called Form Hell and it kind of blew my mind. I’d never heard something that captured the spirit and sonic depth of early 70s Tangerine Dream quite like that. It wasn’t that Victims emulated Froese, but interpreted […]

Ogre : Cybercism

Nobody does 80s dystopian synth music quite like Robin Ogden, aka Ogre. The British electronic composer has been making albums as Ogre for close to a decade and each time out he tweaks and hones the sound to a fine, chromed-out sheen. Touches of horror scores, 80s video game vibes, moody ambient, and even hard […]

“Looking At The Present Moment” : Andrew Crawshaw Talks SFI Recordings

In Seattle, Washington sits a small, boutique electronic music label called SFI Recordings. In its relatively short existence as a label there has been an extensive and prolific catalog of music released. Steve Moore, Majeure, New Frontiers, Paul Riedl, Mnemonic Pulse, and Deathcount In Silicon Valley to name a few. What all these artists have […]

Hunter Complex : Airports and Ports

For my money Lars Meijer, aka Hunter Complex, is making some of the most exciting and innovative electronic music currently. As a composer he approaches his work not only a student of the electronic music world, but from the world of jazz, modern classical, pop music, and from a cinematic approach. His releases over the […]