Hawksmoor : Telepathic Heights

James McKeown’s electronic music project Hawksmoor goes deep. McKeown’s sound is dense, heady, and pulls from the best that the early German electronic scene had to offer. Combining the warmth of analog via Moogs, Modular synthesis, guitar, and bass with a rhythmic backbone that feels more implied through mood, Hawksmoor makes the kind of music […]

Rupert Lally : Multitudes

Swiss-based, UK-born composer Rupert Lally seems to be able to do anything. Now an established author, Lally has been putting out thoughtful and engaging electronic music for some time. I personally discovered him with his releases via the great UK electronic label Spun Out Of Control. Albums like The Prospect, Where The Dark Speaks, Maniac’s […]

Future Museums : Dorsal Fin

Dorsal Fin is a sonic dive into deep blue space, though not the uncharted reaches of the cosmos but the vastness of the ocean. Future Museums, aka Neil Lord, has built a discography founded in light and life; songs owing a debt to classic Komische and Berlin School, while accentuating the genre with his own […]

“in the shadow of memory/spirit”: Neil Lord talks Future Museum’s New Album ‘Dorsal Fin’

Future Museums is the musical project of producer/musician/songwriter Neil Lord. Lord locks into both the Komische/Berlin School world of artists like Cluster, Ash Ra Tempel, and Klaus Schulze, as well as ambient/New Age vibes of Windham Hill and Private Press releases of the 70s/80s. There’s always an ethereal and naturalistic approach to his work. Nothing […]

Ode To The Witch : A Eulogy For Burning Witches Records

I think it was summer of 2017 when I first heard of Burning Witches Records. It was somehow discovering Maine’s beautiful album V and that BWR was where I could find it on vinyl, which I immediately purchased. At that point BWR was on my radar. I deep dived into Burning Tapes, Deathcount in Silicon […]

Depeche Mode : Memento Mori

Depeche Mode, after 40 years as a band, have earned the title of Elder Statesmen of Synth Pop. The UK alternative rock band has built a musical dynasty, starting in 1981 with their debut album Speak & Spell. With each successive album the band honed their sound and their style to a fine doomed romantic […]

Sermons By The Devil : Pro-Life

I’ve always been a bit perplexed when it came to the pro-life movement. Growing up in the Midwest(aka, the Corn Belt) I’ve had a firsthand view of its insidious sincerity. Sure, saving the unborn children; making human walls of screaming, shrieking Christians in front of Planned Parenthoods, medical clinics, and OBGYNs calling cowering, scared women […]

Yves Tumor : Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot Between Worlds)

Yves Tumor was one of those names I’d heard in passing over the last few years, but truth be told never made it to my ears. I thought maybe it was the name of a rapper, or some strange avante garde pop artist like Arca. Turns out I was wrong and sort of in the […]

Jonathan Sharp : Niavka

Jonathan Sharp has been busy the last several years putting out next level, Gothic-tinged records as The Heartwood Institute. Hazy, dreamy, and eliciting sonic tales of witchcraft(The Witchcraft Murders) and dystopian worlds(check out the collaborative Concrete Island with HAWKSMOOR), Jonathan Sharp seems to never not be readying a new electronic delight for our ears. NIAVKA […]

“a beautiful conclusion” : Catching Up With Composer Timothy Fife

Back in 2016 I’d come across this 2-song 10 inch from a band called Victims. The EP was called Form Hell and it kind of blew my mind. I’d never heard something that captured the spirit and sonic depth of early 70s Tangerine Dream quite like that. It wasn’t that Victims emulated Froese, but interpreted […]